Original Article By Scott Feinberg At HollywoodReporter.com

Several of the 23 categories that were presented live on the air during last year’s 93rd Oscars telecast will not be presented live on the air during the 94th Oscars telecast on March 27, The Hollywood Reporter has learned.

In a move that is already causing tension within the leadership of the Academy, but is likely to be well received by the general public, the presentations and acceptance of eight awards — documentary short, film editing, makeup/hairstyling, original score, production design, animated short, live-action short and sound — will take place inside the Dolby Theatre an hour before the live telecast commences, will be recorded and will then be edited into the subsequent live broadcast, a variation of a controversial approach that the Academy first adopted and then abandoned in 2018. (The Tony Awards employs a similar model.)

The Academy declined comment.

The move comes less than a year after the lowest-rated Oscars telecast ever provoked considerable consternation within the ranks of the Academy’s longtime broadcasting partner ABC, which owns the exclusive rights to air the ceremony through 2028, and the fees from which largely finance the operations of the Academy.

Most of the general public cares about only the six highest-profile Oscar categories — best picture, best director, best actor, best actress, best supporting actor and best supporting actress — if that. But the Academy has always felt pressure to present all of its competitive Oscars on the air in order to keep the peace within its own board of governors, which includes representatives of the Academy’s 17 branches, most of which have at least one award that honors people from the profession practiced by its members and wants them to be treated the same as actors, directors and producers.

The Academy announced in August 2018 that several awards would be presented off the air at the 91st Oscars, but a large industry backlash caused the organization to walk back the move.

Regina Hall, Amy Schumer and Wanda Sykes are set to host the 94th Oscars ceremony.

Read the letter that the Academy sent to its members below.

Dear Fellow Academy Members,

We’re excited to present a 94th Oscars broadcast that both honors the year’s achievements in motion pictures and provides boundless entertainment for our global audience of movie lovers.  After carefully listening to feedback and suggestions from our film community, our network partner, and all those who love the Oscars, it was evident we needed to make some decisions about the broadcast that are in the best interest of the future of our show and our organization.

When deciding how to produce the Oscars, we recognize it’s a live event television show and we must prioritize the television audience to increase viewer engagement and keep the show vital, kinetic, and relevant.  This has been an important focus of discussion for quite some time. We do this while also remembering the importance of having our nominees relish a once-in-a-lifetime experience.

In order to provide more time and opportunity for audience entertainment and engagement through comedy, musical numbers, film clip packages and movie tributes, a change in the show’s production will take place. This year’s show producers and Academy leadership with oversight of the Oscars have made the decision, with endorsement from the officers and the Awards Committee, that every awards category must be featured on the television broadcast, though eight awards will initially be presented in the Dolby Theatre in the hour before the live broadcast begins.

They will not be presented in the pre-show nor on the red carpet, as some have speculated. Instead, the in-person ceremony at the Dolby Theatre will begin one hour earlier to present eight awards categories before the live telecast starts. Those presentations will then be edited by our creative and production teams and will be folded seamlessly into the live televised show.

To be clear, all the nominees in ALL awards categories will be identified on air and ALL winners’ acceptance speeches will be featured on the live broadcast. Every awarded filmmaker and artist in every category will still have the celebratory ‘Oscar moment’ they deserve on the stage of the Dolby, facing an enrapt audience.

For the audience at home, the show’s flow does not change, though it will become tighter and more electric with this new cadence, and the live broadcast should end – yes, with the Best Picture category – at the three-hour mark.

This year, those categories presented in the evening’s first hour and seen later in the live broadcast are, alphabetically: Documentary (Short Subject), Film Editing, Makeup and Hairstyling, Music (Original Score), Production Design, Short Film (Animated), Short Film (Live Action), and Sound.

The categories to be presented live on this year’s broadcast are, alphabetically: Actor in a Leading Role, Actor in a Supporting Role, Actress in a Leading Role, Actress in a Supporting Role, Animated Feature Film, Best Picture, Cinematography, Costume Design, Directing, Documentary (Feature), International Feature Film, Music (Original Song), Visual Effects, Writing (Adapted Screenplay), and Writing (Original Screenplay).

We realize these kinds of changes can prompt concern about equity, and we ask you to understand our goal has been to find a balance in which nominees, winners, members, and viewing audience all have a rewarding show experience. Moving forward we will assess this change and will continue to look for additional ways to make our show more entertaining and more thrilling for all involved, inside the Dolby Theatre and watching from home.

Every Academy branch and award category is indispensable to the success of a film and vital to this industry.  Both our challenge and our goal is to create an exciting, streamlined Oscars show without sacrificing the long-held fundamentals of our organization.  We appreciate your understanding and will be grateful for your unwavering support.

Sincerely,

David Rubin

Academy President

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